When you want to show one car's design and the feel of driving in 30 seconds. Also used for rental car, used car, and charging service ads.
In Shot 1, fly along the sky and show a single car small on a curving coastal road. It is an establishing shot that shows the stage and scale where the car will run.
To recreate it: Write the number of cars and the direction, like 'a single sedan driving from left to right', and it's easier to match the direction in later shots.
Set every shot to just after sunset, when the sky is deep blue. Headlights and city lights are on together, so it is the time when the body curves and reflections show best.
To recreate it: Put 'blue hour, headlights on' in every prompt, in the same words.
In Shot 3, fix the camera firmly to the side of the car, so the car stays fixed in the frame while the road and guardrail rush by. It lets you feel the speed physically.
To recreate it: AI often ignores moves that follow alongside a car, so write the instruction that attaches the camera to the car first, like 'camera rigidly mounted on the side'.
In Shot 4, the dashboard glow softly lights the driver's face and streetlight slides across the windshield. The lights are inside the frame, so the mood of night driving feels natural.
To recreate it: Write the source of the light as an object inside the car, like 'soft dashboard glow on her face'.
In Shot 5, circle slowly from a low position around the parked car to reveal the body curves. Keep the car at the center of the frame and let only the background rotate.
To recreate it: Instruct less than half a circle, keep it short, and include 'the car stays centered' so the car isn't pushed out of the frame.
Join all driving shots so the car goes from left to right. Even when the shots change, the direction is the same, so it reads as 'still driving down the same road'.
To recreate it: Put 'driving from left to right' in every driving shot in the same words, and check the direction first in the assembled draft.
Add black bars at the top and bottom of the whole frame for a cinematic wide screen. Place the end card on the sky above the final arc shot.
To recreate it: Generate at 16:9 and keep the car at the vertical center of the frame so the car isn't cropped when the bars are added in editing.
Cinematic multi-shot sequence, 15 seconds total. Shot 1 (3s): aerial drone glide over a winding coastal road as a dark gray electric sedan drives left to right, extreme wide; Shot 2 (3s): close-up slow truck right along the slim LED headlight and front fender of the badgeless sedan; Shot 3 (3s): car-mounted wide-angle shot, the sedan fixed in frame while the road rushes past right to left; Shot 4 (3s): static hood-mounted medium close-up of a woman driving at night, dashboard glow on her face; Shot 5 (3s): low-angle slow arc around the sedan parked on a seaside overlook, city lights behind. Consistent sedan, blue hour rim light, 35mm film look, calm premium mood, no text.
Show the car on the road from the sky first, then move in step by step with body details and a point of view attached to the car, and viewers feel they are getting closer to the driver's seat. Blue hour is when the headlights and the city lights are on together, and the body curves show best.
Aerial drone shot gliding forward over a winding coastal road at blue hour, a single dark gray electric sedan with glowing headlights driving from left to right, extreme wide shot, deep blue sky, distant city lights, shot on 35mm film, calm cinematic mood
Close-up of the slim LED headlight and curved front fender of a dark gray electric sedan with no badge, parked on wet asphalt, slow truck right along the body, 85mm lens, shallow depth of field, blue hour sky reflected in the paint, rim light on the edges, premium mood
Camera rigidly mounted on the side of a dark gray electric sedan at door height, the car stays fixed in frame while the coastal road and guardrail rush past from right to left, 24mm wide-angle lens, blue hour light, motion blur in the background, energetic mood
Medium close-up of a woman driving at night, seen through the windshield from the hood, soft dashboard glow on her face, street lights sliding across the glass, static camera mounted on the hood, 50mm lens, shot on 35mm film, calm confident mood
Low-angle slow arc around a dark gray electric sedan with no badge parked on an empty seaside overlook at blue hour, headlights on, city lights behind, the car stays centered, 35mm lens, rim light along the body, empty sky above, majestic mood, no text
Show shot 1 as an establishing shot for just over 1 second, then join the shots with hard cuts, keeping screen direction so the car goes from left to right in every shot. Lay the motor and wind sounds as J-cuts, half a beat before the next picture, and place an end card / logo reveal in the sky above the final arc shot. Put a letterbox over everything and it becomes a cinematic widescreen.
The car's shape and color easily change from shot to shot, so feed one image of the same car into every shot as a reference, generate without emblems and license plates, and composite only what you need in editing. Models sometimes ignore a move that follows beside the car at the same speed, so start with a simple move like a car mount, where the car stays fixed in the frame. Cut out sections where the wheels spin backward or the car seems to slide.