Places opposite states side by side to make the difference strongly felt.
Before and after use, cloudy to clear, an empty plaza to a packed plaza.
Make two start frames with the same composition but different states. Handle the change at the moment of the cut, not within the shot. Join them at equal length or change on the beat.
Two-shot sequence, same locked wide framing of one park bench: Shot 1, the bench on a cold gray winter morning with bare trees and nobody around, 3 seconds; hard cut to Shot 2, the same bench and framing on a bright summer afternoon with blooming trees and a couple laughing, 3 seconds. Only season, light, and mood change.
Not verified